Tourism and regions
A campaign for a destination or tourism region is not bought where the destination is, but where its visitors come from. That means the media plan is built from regional radio and out-of-home in the target cities, not national reach. And because trips and holidays are decided weeks ahead, the campaign has to run before the season starts. Budgets are often tied to grant or regional funding cycles as well, which leaves little room for flexibility.
What the sector demands
- Seasonality — the campaign has to get ahead of holiday decisions
- Reach in the cities visitors come from, not in the destination
- Budgets tied to regional and grant cycles with fixed spending deadlines
- Competition from other destinations for the same sites in the same period
Planning by origin, not destination
The first step is answering where visitors come from — the large cities, neighbouring regions, abroad. That determines the regional radio stations with coverage in those areas and the out-of-home sites people from those cities pass every day: stops, the metro, the surroundings of shopping centres.
Regional radio is a natural medium for destinations: it has local coverage, goes live quickly and suits reminders about an event or a weekend programme. Transit and city sites then keep the destination’s visual in view for the whole campaign.
The season is bought off-season
Summer holidays are decided in spring, skiing in autumn. A campaign starting with the first warm weekend is already late. Spring and the pre-Christmas period are also busy in out-of-home and radio, so sites and positions are reserved well ahead.
For events — festivals, markets, seasonal openings — we plan a shorter, more intense burst just before the date, when high frequency is needed in a limited window. Cinema before the summer season is another way for destinations to reach an audience already thinking about leisure time.
Destinations also live on recommendation. Press and creator trips — inviting travel editors and content creators to experience the place for themselves — produce features and posts that carry more weight with readers and followers than advertising. They need planning well ahead so the coverage appears when people are deciding on a trip, and any paid collaboration with creators has to be labelled as advertising.
A budget that has to be accounted for
Regional authorities, destination management organisations and regions often work with public or grant funding. The buy therefore has to be documented: what was ordered, what aired, where each panel was posted and what it cost.
A campaign evaluation with photo evidence of sites and verification of aired spots is standard here. It gives the client what they need for reporting and the arguments for the next budget year.
Related services
Media strategy and planning
Splitting the budget across TV, radio, print and out-of-home by target audience and campaign goal — before anything is bought.
Read more →08Radio advertising
Buying spots on national, network and regional stations — at a frequency where listeners actually remember the message.
Read more →13Billboards and large format
Billboards, bigboards, citylights and other outdoor faces — chosen by location and visibility, not by count.
Read more →14Transit advertising
Vehicle wraps, posters in vehicles and stations, metro and rail — advertising where people spend time travelling every day.
Read more →16Cinema advertising
Spots before the film on the big screen with full sound — an audience that came by choice and cannot switch channel.
Read more →17Media relations and press office
Press releases, handling journalists’ questions and long-term relationships with newsrooms — so the company is covered accurately, on time and from its own material.
Read more →21Influencer relations
Long-term relationships with creators, ambassador partnerships and product seeding — chosen by audience and credibility, not follower count.
Read more →